If you use either of these applications, then check out my range of custom made Looks in the form of presets for Lightroom, and Styles for Capture One. If you’d rather not use Patreon, but still want to say thanks or help, then you can feed my caffeine habit and buy me a coffee via PayPal with a one off donation to my PayPal tip jar. Check out my Patreon Page for more details, and a big thanks to everyone already supporting this blog on Patreon. ![]() There are a number of options available with different rewards, such as behind the scenes content, special Patreon only videos and more. If you like what you see here and you find this useful, then you can help support this blog and help me keep making great content like this by supporting me on Patreon for as little as $1 a month. This might seem obvious to some, but its actually the most common comment I get when I post tutorials where I use more than one application. Similarly, I could have gone from Capture One straight to Luminar, but then I wouldn’t have had the flexibility of Photoshop. While, I understand that not everyone has lots of software, and that’s fair enough, but if you do, you shouldn’t be afraid, or have some ideological hang-up about using multiple applications.įor example, I probably could have done all of this in Luminar, but it would have required a lot of roundabout thinking, and making stamped layers and so on, but for me this was much easier to do this in Photoshop and Luminar together. But in the professional space, people will use whatever they need to get the job done. I regularly get comments from people asking “why didn’t you just use x software” or from people who think its somehow hearsay if any particular application can’t do everything on its own. One other lesson to take away from this, apart from the compositing tips, is that you shouldn’t be afraid to use multiple tools to do a job. After you do a composite, you often do some grading or film grain on the final comp as it just helps tie everything together, and this works with still images too. This is a technique that I often used when working in Visual Effects over the years. Without this, it still looks a little fake, but covering it with a mild film effect and a little grading makes it look more realistic. Finally I sent the image back to Capture One (as this is where it had started) and I applied one of my own styles from my T-NEG collection. I did some additional tweaks back in Photoshop, with a few adjustment layers. ![]() The other advantage of this is that the layers are kept non-destructive, and I can go back in at any time ad do some further tweaks. There may well have been a way to do this by some combination of stamped layers, but in my opinion it was just as easy to do it in Photoshop. If you’re wondering why I didn’t just use a mask on the Sky Replacement tool in Luminar, it’s because that would have masked the relighting too, and that was an important part of the image.
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